Three Rules of Proper Notebook Management

I stumbled across an interesting website this week: First Today, Then Tomorrow, written by professional writer Randy Murray. I’m still perusing the articles, but I was taken by three articles entitled Three Rules of Proper Notebook Management:

  1. What To Write In Your Notebook
  2. The Best Notebook To Use
  3. What To Do With Filled Notebooks

With so much bullshit written about notebooks, and particularly about a certain brand of notebook that despite what the marketing department may claim were most definitely NOT used by Van Gogh and Ernest Hemingway, these three short articles are a breath of fresh air.

The answers to the questions posed by the articles sum them up perfectly:

  1. Everything.
  2. Whatever is available.
  3. It doesn’t matter.

My favourite piece of advice concerns What To Write In Your Notebook:

A notebook kept for a single purpose will likely go unused. A general notebook, well managed, is a mass of ideas, reminders, and observations.

In the few days since reading that single sentence I’ve written more in my notebook than the preceding few weeks. Good advice.

Be Like Water

Don’t get set into one form, adapt it and build your own, and let it grow, be like water.

Bruce Lee

Slipnotes

slipnotes

I love index cards, but they present logistical issues for crumple free carrying. Slipnotes looks like an interesting solution.

Covent Garden Tube Station Evacuated

covent garden tube evacuation

Faber-Castell Ondorro Review

Last week was National Stationery Week here in the UK. During this joyous week of celebration of paper, pencil, pen and ink I was contacted by the delightfully named Anna Rainbow from The Pen Company asking if I would like to review one of their items. It would have been rude to say no.

After chatting for a while we settled on the dramatic looking Faber-Castell Ondoro fountain pen, which was duly despatched. Having now had the chance to use the pen for a week or so I can now share my thoughts with you.

Faber-Castell Ondoro Review

Design

It was the unique and striking design of the Ondoro that originally attracted me to it, and it doesn’t disappoint in reality. The body of the pen is hexagonal, something more commonly found in a pencil than a fountain pen.

I chose the black and silver version of the Ondoro; the contrast between the cap and the body adds to the striking look of this pen.

The body tapers down from the large hexagonal shape to a smaller cylinder for the section; a transition that is both visually appealing and nicely done.

There is little in the way of branding or marks on the Ondoro to spoil its clean lines; just a subtle Faber-Castell logo on the top of the cap.

The nib is a simple steel nib with a pattern of subtle dots, the Faber-Castell crest and a sizing marking; in my case M for medium.

Faber-Castell Ondoro nib

Construction

Faber-Castell say the body of the Ondoro is made from “precious resin”. Now I know that one day oil will run out, but really there is no way you call plastic, for that is what it is Faber-Castell, precious.

That being said it is a really good quality resin with a deep shine, a reassuring solid feel, and a pleasing tactility to it being not too smooth or slippery.

I’d love to tell you what the cap is made out of, but I’m really not sure. I’ve seen it described as chromed, chrome and chromed metal, but I actually think it is chromed plastic, albeit a very high quality one. If it is metal it is non-ferrous as only the clip is magnetic.

The cap is the one weak area of the pen in my opinion; the body is high quality, but the cap feels a little cheap, and not at the same level of quality as the rest of the pen.

The clip is spring loaded and formed from pressed metal which works well, but adds the slightly low rent feel of the cap.

In contrast where the section screws into the body Faber-Castell have used high quality metal threads which feel lovely and should last for years.

Faber Castell Ondoro

Use

Cutting to the chase the Ondoro is a very pleasant fountain pen to write with.

Being a steel nib there is little or no flex, but it’s not the ‘nail’ that steel nibs are sometimes described as by sniffier fountain pen users.

When my pen arrived the nib was a rather dry writer, making it on the fine side of medium. A quick adjustment with a razor blade has increased the flow, line width and most importantly the smoothness.

Even with the increased flow and a super smooth ink like Noodlers Black the nib still has a little ‘toothiness’ to it. I don’t have a problem with toothy nibs as I find they help control my rather wayward writing, but I do feel on certain upstrokes that this nib seems to catch the paper slightly, not enough to affect your writing, but enough to bug someone as ahem sensitive and fussy as me.

I’ll declare at this point that I hold pens at a slight angle which can exacerbate nib issues, and that I normally write with a pen that cost four times as much as the Ondoro – so as well as being fussy I am a little spoilt. But I believe that virtually all of you reading this review will have no trouble at all writing with this pen and on the contrary will find it a fine pen.

The section is a good diameter and shifting your fingers back slightly to hold the hexagonal body is also a very pleasing way to hold it.

The pen is light but a nice weight so it doesn’t become fatiguing when writing for longer periods.

The Ondoro is a little short to use without posting the cap, and the one advantage of the cap being of lighter construction is that doing so doesn’t upset the balance of the pen.

In Conclusion

The Faber-Castell Ondoro is one of the most dramatic fountain pen designs I have seen for some time, and is very well made although the cap could be better. But most importantly the Ondoro writes very nicely and will do so for years I feel. I’m very happy to recommend both the Faber-Castell Ondoro and The Pen Company who have an amazing range of pens, great service and a real passion for their products.

3 Legged Thing

I’m currently looking for a new tripod for my camera. When I bought my last tripod, many years ago, there was essentially one criteria for me to consider: could I afford it?

Now that criteria still exists as there seem to be some very expensive tripods out there, but there are now allsorts of new options. For the legs alone I can choose between aluminium, carbon and something called basalt – no I have no idea what it is either. And then there is the head which you buy separately to your tripod legs as everything has to be a ‘system’ these days.

In this new world of complexity and options I was rather pleased to stumble across 3 Legged Thing. Based near where I live 3 Legged Thing make tripods that look a little different to the rest and clearly have a sense of humour as judging by this video:

Now I just need to choose my colour, my leg material and my head. Oh bugger, back to square one.